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THE WAY OF THE SUN FOR ...

"The path of the sun" is available from the
COMMITTEE CELEBRATES MADONNINA
of Mentone.

Gloria Sophia and the Committee donate the proceeds of the sale made by the Committee.

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Greetings! Greetings!

Serene holidays to all!

.

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Night "white"

To my joy and fun came the snow ... ...

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Last night I was getting ready to do my usual walk, not too excited because this time I have to wear the 'hideous coat. I go out and find something, a blanket of soft snow, I could not believe it!

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I was so excited that I have literally lit eyes ... .... ........ (and forgotten to have the coat)

I like the snow too.

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Here I am at the park this morning

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THE CONSERVATORY CONCERT FOR THE BENEFIT OF CHILDREN IN ROMANIA


Saturday, December 11, 2010 at 21:00.

FESTIVAL Chopin Schumann
200 years ... basilisk eyes, eyes of peacock's eyes girl

Concert in aid of the association''''CHILDREN IN ROMANIA.

At a fundraising concert will be linked to the association which has as its objective the mogliorare of Romanians living conditions of abandoned children.

appointment Admission is free
until all available seats.

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THE WAY OF THE SUN FOR ...

The Way of the Sun is also available in Mentone (Rm) at

Brotherhood Sant'Antonio Abate

Via III Novembre
tel. 06/90.90.059
open every afternoon.


Copies of books will be purchased from Monday, December 6.

Gloria Sophia and donate the proceeds to the Brotherhood created by the Brotherhood itself.

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HOW TO BUY THE BOOK "the way of the Sun"


THE WAY OF THE SUN
is now available and can be ordered in any bookshop in Italy indicating the
ISBN 978-88-96838 - 19-8 (distributors and national Ediq LS)

can be ordered directly online at
http://www.edizionisensoinverso.it/ .

or by phone +39334 / 37.29.958

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charity auction




charity auction Wednesday, December 1, 2010, 18:30

charity auction in support of the projects' Association in Romania Children Onlus
spaced Ungallery c.so Buenos Aires 23, Milan
auctioneer exceptional Denis Curti
Director of the Milan offices of contrasts and Vice-chair of the FORM with the contribution of the project Cariplo

"Active citizenship: involvement of young people for integration"

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Sergio Davanzo. Strongly expressed their thoughts. Cuddle with your tenderness dreams. Shows you own shares of unsuspected and unexpected, sometimes revealing step by step, sometimes showing off suddenly, causing, mocking. Davanzo paints. A combination of unresolved reasons push it every time. Necessity. For wants. Per game. Duty. Many of his paintings are children of a strong need to communicate. The need to transcend the limits of words, space-time dimensions, shapes coded, creating new, more beautiful, more intense, and thus give renewed voice to deep thoughts, complex. Then there are works that result from the simple desire to let go the more poetic evocation of images and ideas seen and experienced. It then flows into the complacent search for evidence and complicity of the beholder, and feels, and, hearing, lives. The result is an astonishing range of openings and contamination synesthetic, colors and materials. The modus operandi of this thought is often an artist theme. Expands. Defines independently and bully their leit motive. Li range, widens them, offers them the most eye-catching shades and then to swell up and finally explode, exhausted. Finished. Resolved. So the paintings are mostly of Sergio contextualized in groups. follow a trend that is common to dry up. But sometimes the artist after the end of a line of inspiration has already drawn several others. Sometimes it passes the time before to allow new features to capture his instinct. And his brush. This is Sergio Davanzo he paints. His subjects are varied, diverse. Much wants to tell. The faces, voices from the past and present, places that have seen him start his career as a man and artist. The dog. The family. Those who have left, those to come. A wrinkle on his forehead. The hiss of a lathe in the workshop. A kaleidoscope of images minimalist, epiphanic moments that sergio delivers on canvas. That, if necessary, carry, as is customary to say "in space." And surely the creative and imaginative titles that Sergio Davanzo alongside the paintings, are part of this half-serious way of life and think of their own needs. Delicious, often highly ironic, surprise, and then leave him a trail of reflection as you tickle the taste of rum in the taste of a freshly baked cake. Referred to Sergio, a skilled "chefs de rangue," wrote and produced the recipe just for you.

prof. MARIA SOLE POLYPTYCH

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STA '


the Way of the Sun ... the book ...

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This work of mine titled "Beyond - Beyond" wants to be a modest help for differentiating that invisible thread that binds and connects all things, every person and every event, in a close relationship, sometimes mysterious, but significant. See beyond appearance can help us read the signs that affects our lives. Sergio
Davanzo

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"Each machine contains fragments of code and each code form a protocol, a form of behavior that can also be the root of what we call a soul!"

(from I Robot)

I do not have to comment further on my performance "ROBOTS". Any reference to our present society is not accidental, therefore, for those unfamiliar with Asimov and his works invite you to read the following notes: I, Robot (I, Robot) is an anthology of short stories by science fiction Isaac Asimov, 1950. It contains nine stories written between 1940 and 1950, which featuring the robot. They are based on the three laws of robotics, their contradictions and their apparent flaws. The stories are written to be independent of each other and have a theme that leads to interaction between the human race, robots and morality, and combined together give us a broad view Asimov's work on robotics. E 'prior to the second book and Anthology of the bicentenary of the robot. The main stories in this book of the foundation for development of the Universe, were united in The Complete Robot.

When the Earth is dominated by a master-car ... when robots are more human than humanity.

Robots and empire:

In a few years since the colonization Auroriana Joint Space-Earth, the Terran colony and begin to deal with a lot of terraforming worlds. The moment you play the story of Robots and Empire we are at 26. At the same time the Spacers have not yet moved, and ultimately, according to the analysis of Asimov, could only be so, given the conditions of absolute well-being as they were. If you live well and long in your house ... why look for a new home?

In the book there's Elijah Baley, now dead for 200 years, but there are still robots Daneel and Olivaw Giskard Reventlov. To replace Elijah, there will be a descendant of his seventh grade, the "captain" Daneel Giskard Baley (abbreviated DG Baley). They will accompany the still alive for Lady Gladia various planets (solar, Baleyworld, Aurora and Earth) to discover the mystery that lies beneath the book. Keldon Amadiro, head of the Institute of Robotics, and his brilliant aide Levular Mandanus have in fact a plan to destroy the Earth, increasing the reactions radioactive uranium and thorium to make the planet uninhabitable within two centuries.

Giskard Daneel and try in every way to prevent the making, colliding with the limits imposed on them by the laws of robotics. It is here that the formula Daneel Act Zero of robotics (a robot can not cause or permit damage to humanity because of his inaction humanity suffers damage). Just relying on the Act Zero, at the end of the novel Giskard Levular trigger mechanism allows you to make radiological Earth (also in preventing Amadiro to set it at maximum power, which would destroy the planet in a few years) has in fact understood that if this land will gradually be able to escape their "prison" and forget about that planet that still considered sacred hinders their development. In essence, the forced abandonment of the Earth is the best choice for Humanity. Although the Act Zero, Giskard crashes, the positronic brain devastated by the realization that many humans will die in the process and that there is no guarantee that the end is not the Spacers to triumph and then to decay, leaving a galaxy inhabited. However, before turning off fails to transfer his powers "telepathic" to Daneel, assigning the task of caring for humanity.

(From Wikipedia)

Sergio Davanzo

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unthinkable of Western rationality from the Absolute, the Absolute's self-destructive neo-romanticism. Since the first Einstein's Relativity, to the theoretical Big Bang. Antinomies and continuity. This is Pollock and Paul Klee as saying "groped in the business of making visible what is not."


Mind largest and most desperate of contemporary painting has loose links with the world, with its rules optics and its culture.

The boundary beyond which lies the freedom, it is not traversable with the tools of art.

(Fabio Caroli)

My painting lesson part by J. Pollock. Tribute exhibition to him in a bar gallery "Universe" in Panzano, a district of Monfalcone shipyard, is not a provocation as it may seem, but a place among hundreds of non-EU workers and non-custodians of a culture is never officially recognized as being that the effort of learning trades and more generally the work itself. In a place like this painting the message "switch" in the absence of cultural skills appropriate to the decoding of the sign, the use of the material used, the technique used and cherished by all those elements that will illustrate storyteller not make you understand your art.

Sergio Davanzo

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"... The progression of the work of a painter, as it moves from point to point in time, will be directed toward clarity, toward 'elimination of all obstacles between the painter and the idea, and between the idea and the observer ... "
(Mark Rothko)

Influenced by color-field painting, Sam Francis works on white backgrounds, which applies the patches of color shaded left free to slip, enclose or leave the space blank. This

my performance spread between the two ways to "feel" painting. Rothko and Sam Francis to being aware of having been born and raised in a working-class neighborhood of northeast: Panzano.
Sergio Davanzo

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