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This work of mine titled "Beyond - Beyond" wants to be a modest help for differentiating that invisible thread that binds and connects all things, every person and every event, in a close relationship, sometimes mysterious, but significant. See beyond appearance can help us read the signs that affects our lives. Sergio
Davanzo

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"Each machine contains fragments of code and each code form a protocol, a form of behavior that can also be the root of what we call a soul!"

(from I Robot)

I do not have to comment further on my performance "ROBOTS". Any reference to our present society is not accidental, therefore, for those unfamiliar with Asimov and his works invite you to read the following notes: I, Robot (I, Robot) is an anthology of short stories by science fiction Isaac Asimov, 1950. It contains nine stories written between 1940 and 1950, which featuring the robot. They are based on the three laws of robotics, their contradictions and their apparent flaws. The stories are written to be independent of each other and have a theme that leads to interaction between the human race, robots and morality, and combined together give us a broad view Asimov's work on robotics. E 'prior to the second book and Anthology of the bicentenary of the robot. The main stories in this book of the foundation for development of the Universe, were united in The Complete Robot.

When the Earth is dominated by a master-car ... when robots are more human than humanity.

Robots and empire:

In a few years since the colonization Auroriana Joint Space-Earth, the Terran colony and begin to deal with a lot of terraforming worlds. The moment you play the story of Robots and Empire we are at 26. At the same time the Spacers have not yet moved, and ultimately, according to the analysis of Asimov, could only be so, given the conditions of absolute well-being as they were. If you live well and long in your house ... why look for a new home?

In the book there's Elijah Baley, now dead for 200 years, but there are still robots Daneel and Olivaw Giskard Reventlov. To replace Elijah, there will be a descendant of his seventh grade, the "captain" Daneel Giskard Baley (abbreviated DG Baley). They will accompany the still alive for Lady Gladia various planets (solar, Baleyworld, Aurora and Earth) to discover the mystery that lies beneath the book. Keldon Amadiro, head of the Institute of Robotics, and his brilliant aide Levular Mandanus have in fact a plan to destroy the Earth, increasing the reactions radioactive uranium and thorium to make the planet uninhabitable within two centuries.

Giskard Daneel and try in every way to prevent the making, colliding with the limits imposed on them by the laws of robotics. It is here that the formula Daneel Act Zero of robotics (a robot can not cause or permit damage to humanity because of his inaction humanity suffers damage). Just relying on the Act Zero, at the end of the novel Giskard Levular trigger mechanism allows you to make radiological Earth (also in preventing Amadiro to set it at maximum power, which would destroy the planet in a few years) has in fact understood that if this land will gradually be able to escape their "prison" and forget about that planet that still considered sacred hinders their development. In essence, the forced abandonment of the Earth is the best choice for Humanity. Although the Act Zero, Giskard crashes, the positronic brain devastated by the realization that many humans will die in the process and that there is no guarantee that the end is not the Spacers to triumph and then to decay, leaving a galaxy inhabited. However, before turning off fails to transfer his powers "telepathic" to Daneel, assigning the task of caring for humanity.

(From Wikipedia)

Sergio Davanzo

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unthinkable of Western rationality from the Absolute, the Absolute's self-destructive neo-romanticism. Since the first Einstein's Relativity, to the theoretical Big Bang. Antinomies and continuity. This is Pollock and Paul Klee as saying "groped in the business of making visible what is not."


Mind largest and most desperate of contemporary painting has loose links with the world, with its rules optics and its culture.

The boundary beyond which lies the freedom, it is not traversable with the tools of art.

(Fabio Caroli)

My painting lesson part by J. Pollock. Tribute exhibition to him in a bar gallery "Universe" in Panzano, a district of Monfalcone shipyard, is not a provocation as it may seem, but a place among hundreds of non-EU workers and non-custodians of a culture is never officially recognized as being that the effort of learning trades and more generally the work itself. In a place like this painting the message "switch" in the absence of cultural skills appropriate to the decoding of the sign, the use of the material used, the technique used and cherished by all those elements that will illustrate storyteller not make you understand your art.

Sergio Davanzo

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"... The progression of the work of a painter, as it moves from point to point in time, will be directed toward clarity, toward 'elimination of all obstacles between the painter and the idea, and between the idea and the observer ... "
(Mark Rothko)

Influenced by color-field painting, Sam Francis works on white backgrounds, which applies the patches of color shaded left free to slip, enclose or leave the space blank. This

my performance spread between the two ways to "feel" painting. Rothko and Sam Francis to being aware of having been born and raised in a working-class neighborhood of northeast: Panzano.
Sergio Davanzo

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